The Importance of Esther and Buddy’s final meeting in The Bell Jar

 One of my favorite scenes in The Bell Jar, by Sylvia Plath, is when Buddy and Esther meet again, once Esther is in remission from her crushing, reality-distorting depressive breakdown. Prior to Esther’s ultimate test of readiness to return to society, it probes the extent of her recovery and character development. Esther has sorted out her feelings for Buddy, feeling happy to only feel a sort of “amiable boredom” (p238) towards him. She does not need him in any way, but she doesn’t hate him either. She has moved on—this is an active improvement in their relationship before their breakdown, when he brought up many conflicting emotions in her, by virtue of her feeling betrayed by him but unable to properly break up with him. This demonstrates that her healing from her illness has actually extended to bettering her life in broader ways, with Dr Nolan helping her feel more comfortable with her own sexuality by getting her access to birth control. 

 

The prior gender roles and patient/doctor roles of their relationship are reversed. As mentioned in class discussion, Esther herself says that “Buddy did let [her] do most of the work” (p238) of digging his car out of the snow, showing her own physical strength and her goodwill towards Buddy. This second aspect is particularly compelling given that Esther spends a large part of the book having somewhat garish, cruelly caricaturing opinions on most people she meets, including Buddy, and treating others in a somewhat utilitarian fashion. This act of kindness demonstrates that she is getting better.

 

Without a doubt, the single crowning moment of this scene is when Esther reassures Buddy that it isn’t his fault that she and Joan had crisis-level mental illness. We see that Esther is able to apply what Dr Nolan has taught her in her interactions with other people: it is Dr Nolan’s assurance that she did not cause Joan’s suicide that surfaces when Buddy asks if he partially caused her and Joan’s breakdowns, and it inspires her to speak confidently and directly. Esther says “‘You had nothing to do with it, Buddy,’” (p240) and says she is absolutely sure when pressed. This blunt tone, together with the by-name address as a symbol of respect to Buddy, show that she is genuinely trying to help him here, and that she believes what she is saying. Being able to apply her doctor’s guidance like this is also another sign that she is recovering, and that her stay in the asylum has let her develop her character, not just return to what she was before. 

 

Knowing that Buddy, while far from perfect, is not entirely to blame, is also a marked improvement on Esther’s previous behavior: when she was first sent to the state hospital, she viciously kicked the man who was serving them two different kinds of beans with the meal. When Esther narrated “Now I knew perfectly well you didn’t serve two kinds of beans together at a meal. … [He] was just trying to see how much we would take.” (p181), we can see that she clearly, and without proper justification, felt like the victim in this situation: she clearly thought that her common sense was under scrutiny, and thus defended her knowledge of mealtime norms, and she thought that the server was deliberately conspiring against her and trying to annoy her. This victimization is clearly irrational and a symptom of her illness. It is almost certain that the man did not choose to serve them two kinds of beans, and was simply assigned to do it. Personally, I think Esther also kicked him because she is angry about her illness and being trapped in the state hospital, and she expressed this by punching down. She chose the server because he was Black in the 1950s, and likely new to the job, meaning that she could get away with picking on him and treating him with disrespect, whereas she might have been punished more severely for kicking the nurse. In contrast, by the end of the book Esther does not think Buddy was trying to hurt her, showing that her paranoia has receded; she also actively discourages him from blaming himself, demonstrating increased emotional maturity on her part.  

 

I previously mentioned that the patient/doctor roles of their relationship are reversed in this scene. To go into that in more depth, Esther is the one listening to and comforting Buddy, the doctor, using the techniques her doctor taught her, putting her in somewhat of the doctor/caretaker role, while Buddy, seeking reassurance, is the patient. This is obviously ironic considering their positions as a psychiatric patient and a medical student respectively, but it becomes especially so when we consider that Buddy somewhat unkindly applied the psychological tests he learned to her, telling her that she was neurotic. Esther also felt threatened by the husband/wife doctor/patient dynamic, because she viewed matrimony and associated motherhood as a brainwashing cult wherein women were forced to give up their careers and personalities, to merely become “Mrs. Buddy Willard” (p92) as the case may be. This was especially clear when Buddy smiled after telling her she couldn’t go back up to ski again because she had broken her leg. This “queer, satisfied expression” (p98) on his face may have been because they were conforming to the doctor/patient relationship he might have expected, where he again has power over her, and her stubbornness is irrational and inconsequential in the wake of his steely dictation of reality. 

 

Esther’s control of her own body through her access to birth control empowers her in an oppressive, patriarchal society, allowing her to clean up the loose ends of her one-night stand with another man and feel “perfectly free” (p242) afterwards. This, and her lack of romantic attachment to Buddy, dissolves the previous husband/wife imbalance, and her application of Dr Nolan’s advice to Buddy subverts their doctor/patient relationship, allowing them to have a meeting between equals, in some sense, and so in granting Buddy’s guilt closure, Esther gains closure herself. Overall, this scene is the best evidence that promises to the reader that Esther will be approved to go back to university and re-integrate into public life once she crosses the threshold.

 

Comments

  1. The victim mentality is one perspective that I haven’t thought of before. I always thought that Esther was just thinking of things from a slightly hostile mindset, specifically when she accuses Buddy of being a hypocrite. But to be a victim is to clarify that Esther isn’t the problem. From that perspective, she is definitely a victim throughout most of the beginning of the novel, especially to Buddy and to the world in general. But as she gets help, she begins to rise, in a way. I hate to say it, but even though she has a sense of freedom (after the one-night stand with no ties) and has some sense of closure with Buddy, I don’t feel as if this reassures the reader that she won’t be the victim again. What if another hypocrite enters her life, or the birth control doesn’t work? I suppose the point is that life will continue, and how she reacts to every scenario will determine her future.

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  2. Mysterious author, this was a great post! I really appreciate that you highlighted specifically the act of obtaining birth control as incredibly important to Esther's sense of inner peace and an action of empowerment from Dr. Nolan. You're right in that this new sense of confidence and security over her life was probably instrumental in her ability to take closure from her relationship with Buddy. I also thought your analysis of her descriptions about other people as way to examine her recovery journey was very compelling. You're right, she's come a long way from acting on deluded paranoia (as a result of her mental illness, of course) and beating up random Black people who are serving her. Amazing job analyzing this scene and its greater significance to the arcs in this novel!

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  3. Hello! This was really well written and touched on a lot of things I hadn't thought very deeply about before. I also find the "role reversal" that you pointed out interesting, since part of the reason he let her do most of the work with the car was because he himself was recovering from TB, and as a result she was more physically healthy and able. If you think about it (though this may be a stretch on my part), Buddy's time in the sanitarium is like Esther's time in the asylum, as they are both spending time in spaces dedicated to helping them recover from an illness. However, the sanitarium comes with much less stigma, which is kind of like the whole double standard that turned Esther off of Buddy in the first place.

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  4. "Amiable boredom" is a funny phrase, and it seems apt as a way of viewing old Buddy Willard--and I think it's important that you note how she no longer "hates" him (which she explicitly claims earlier in the text, along with the assertion that he "is a hypocrite," full stop). If she still "hated" Buddy Willard--as an embodiment of the sexual double standard, poster-boy for society's hypocrisy, or as an embodiment of the smug male medical professional, which has become a very familiar category for her these last few months--we would likely NOT see that persistent hatred as a promising sign of her recovery. I like your account of how Buddy now seems to need Esther, specifically in her capacity as a quasi-professional: she understands more about psychiatry and the degree to which friends and doctors are "responsible" for the loss of a patient, and she is now in a position to explain things to HIM. After sitting through all these moments where Buddy "diagnoses" Esther, or confidently states his certainty that she'll abandon everything that's important to her in the name of marriage, it does feel good to see Esther exercise this "benign boredom" in his presence. She is "over him" as a potential husband, but also as the symbol of her larger commitment to the conventional realms of marriage and child-rearing.

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  5. Hi! Thanks so much for pointing out the parallels between Ester telling Buddy it wasn't his fault she was suicidal and Ester forgiving herself for the role she thought she played in Joan's suicide. That hadn't occurred to me before, and with this perspective, I feel as though Ester has definitely healed some and is in a better place mentally. It seems as though she's made peace with her own suicidality, Joan's suicide, and her relationship with Buddy, and is ready to move on.

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